Posted in About Me

“Corporate training is evolving, and taking many of its cues on delivery, engagement and retention techniques from social media, podcasting, traditional media, and even filmmaking. On this site, my goal is to show you techniques for producing media rich eLearning, how to integrate media into traditional authoring tools like Storyline, and identify where media fits into a blended curriculum. I hope you will engage in conversation around the techniques and samples I share, and take away ideas and inspiration. Thank you for stopping by!”

Posted in Photo Blog

Sharing the Adventures

Media is everywhere today, not just in training, so I am adding a blog to my site to post my photo adventures and tips on creating better photos and videos when in the field. Sometimes you just need a place that holds more than Instagram or Twitter. I will start adding posts to the Photo Blog sometime in July!

Posted in Audio

Audacity Basics – A Comprehensive Overview

This is a video taken from a Lunch N’ Learn on getting started with Audacity. If you want to take a dive into not only the “how” to perform a task in Audacity, but also the when and the why of creating great audio, then I encourage you to check it out.

Posted in ELearning

Scoring Storyline 2 Variable Values in an LMS

In this tutorial I will show you how, with a little bit of JavaScript, you can pass your variable values onto your LMS for scoring and reporting.

Posted in Video

Using ScreenFlow to Create Story Based Micro Learning

When creating Micro Learning, it’s important that your learner’s experience be in the context of their actual job. In this reenactment, we showcase how a Case Manager would assist a member on a live customer service call using visual callouts and tips throughout the video.

Posted in Video

Combining Camtasia Micro Learning Video With Articulate Storyline Course

In this video I show you an example of how to integrate a micro learning systems piece into a larger Articulate module using Camtasia. My goal for you is not to demonstrate how to perform actions in Camtasia, but the why and when to integrate video to enhance learner retention.

Posted in Project Management

Project Management – ASANA and Google Calendar

ASANA, when combined with Google Calendar, can create a super one-two punch for managing your teams and your time.

Posted in Project Management

Agile Instructional Design Project Management

Agile methodologies are a huge focus for many learning and development teams today. In this video, I give you a look into the foundations of Michael Allen’s “SAM” model for agile teams.

Posted in Audio

Audio Technica AT875R: Rugged, Reliable Value

AT875R Shotgun Mic

The AT875R microphone should be high on your short list of first shotgun mics to buy. Depending on your applications for recording your audio, it may also be your last shotgun purchase.  In this article, I won’t go into the technical specs. If you desire those, you can get them here.

Let’s recall the reasons to buy a shotgun mic.

First off, it picks up audio at a distance from the presenter that can’t be achieved with a condenser microphone, though you still want to use it within 36 inches of your subject for best results. For slightly longer throws, you would want a longer shotgun such as the Sennheiser MKE600 or Sennheiser ME66. Secondly, it can be kept out of frame of a camera shot without having to affix a lapel mic to your presenter. Unlike a lapel mic, you don’t have to worry about picking up noise from the lapel mic rubbing against articles of rough clothing. Shotgun mics can be mounted on a mic stand to mic presenters and interviewees, but can also be mounted on top of a DSLR or video camera, so in that way they are very versatile. They can also be affixed to a boom pole for off camera ENG work, as well as hand-held options for stand up reporting type shoots. Some higher end shotguns, and mid range models, can also be used as desktop voiceover mics, such as the industry standard Sennheiser 416.  Shotgun mics are also durable and can take the bumps and bruises of traveling with your equipment.

Lastly, let’s not forget about a shotgun mic’s ability to resist noise from the sides and behind the microphone. Its directional pick up qualities make it a great choice if you are not in a treated environment that is built for sound rejection and noise handling, though I would suggest you consider those options before thinking a low to mid priced shotgun mic can solve all of your room problems. It can’t.

There are of course some risks and down sides.

Like with any shotgun mic with a linear pick up pattern, you have to find the “sweet spot” when working the mic. If you or the presenter move your head too far off axis, you will hear the drop in resonance and find yourself doing a lot of post processing to match up your sounds. If you stay “on mic”, with good technique, the AT875R can produce some excellent sounds.

At under $200, this may arguably be your most versatile value priced mic in your arsenal.

Posted in Audio

Audio Technica AT2035 Microphone: Full Bodied Sound for Voiceover

AT2035 Condenser Mic

The AT2035 is a large diaphragm condenser microphone that is very well suited for all of your voiceover and podcasting needs.  This article is not a technical specs review. If you are looking for those, you can get them here.

The 2035 by Audio Technica, like all large diaphragm condensers, is designed to pick up the full dynamic range of voice that narration and VO artists require. This means your audio is going to sound more “full” from low base responses to higher pitched details. For this reason, condenser mics are the standard for “voice actors” who are often creating character voices that require a broad range of sounds.

Some of the higher end condenser mics would be the Neumann TLM 103 and the Neumann U87, which brings me to the down side of using a condenser mic. Ironically, but true, if your recording area is not treated for sound then the “less costly” condenser mic would be a better option than one of the above. That’s because of the high sensitivity that all condensers have.

The down side to a condenser is their pick up pattern is much wider than a shotgun mic, or a dynamic mic such as the Electro Voice RE320, so any background noise will be easily noticeable in your recording, as will reflections off of hard surfaces around you. That’s why many podcasters, trainers and radio stations prefer to use dynamic mics. They are less expensive to implement, and provide very present sounding audio where articulation and variance are not the key factors.

PRO TIP:  If you are using a condenser mic in a non treated room, work it about a fist’s distance from your mouth, but at a 45-50 degree angle so that you are talking “past” the mic, and not directly into the condenser.

If your room is well treated, the standard technique is to work about 5 inches “below” the mic, and about 6-9 inches away from your mouth. You will see this technique used in the professional Hollywood studios where the talent is at a fair distance, sometimes up to 12 inches. Rule of thumb is, the more expensive condenser mic you buy, the better room you need to use it effectively. If you are an aspiring voice actor, this is really the style of microphone you need to be able to use effectively.